Racial Stereotypes In The Lion King

Thursday, March 3, 2022 6:04:14 PM

Racial Stereotypes In The Lion King



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Rules are made to be broken, right? But what are these rules anyways — these stereotypes? A study by Common Sense Media found that children who are fed gender stereotypes may internalize those roles, shaping their behavior for years to come. The researchers found that the effects gendered media has on children include a tendency for girls to focus on their appearance, an increase in tolerant views of sexual harassment and the establishment of gendered behaviors in romantic and sexual relationships, as well as riskier behavior in boys and career choices limited by gender norms.

The societal limitations placed on men can have a negative effect on their lives as well, prohibiting them from feeling like they are able to show any true emotion or empathy. Many also have yet another fight to contend with — the norms and traditions placed upon them by their family and given culture. For those currently growing up in a rapidly changing world of increased globalization and instantaneous sharing by means of social media, young people are battling not only with the search to find their place in a larger society, but also within the dynamics of their family if they choose to shirk tradition in one way or another.

First of all, the cast itself is incredible: Taraji P. Henson stars as Katherine G. The original cartoon version is a retelling of a popular Chinese folk tale, centering around a young woman who has reached the age where she is expected to find a husband, with the aid of a strict matchmaker. Instead, posing as a man, she sets off to war, a crime punishable by death, to protect her ailing father from entering the mandatory draft. You can watch the trailer here and stream it on Netflix or Amazon. To be singing in my language of Xhosa — to stand in that place for my African people, I feel so honored We were treated with the utmost care and respect and being on that set was the most incredible experience of my whole life.

In , the DWP Academy posted their own choreography for the song after it was first released. Nicholls called it "a dream come true, not just for me, not just for those children that were selected, but for all black children". Nicholls' own daughter was chosen for the film; Nicholls explained that "it's made my daughter be part of something where five years from when she wanted to look like Elsa and Anna , is singing along to the song "Brown Skin Girl"". It's not just about creating a look, it's about how many families can benefit from that look. To see the waves this has created has been a dream.

Akers worked on the wardrobe for approximately three months. She started by going into fabric stores, swatching pieces that spoke to her as she listened to the music of The Gift. She started to create custom looks with local designers, while her counterpart in Paris, Rogelio F. Burgos, started to collect runway looks. As the project grew, she hired a team of seven people to work on the film. The process became a "travelling circus", according to Akers; a constant stream of packages were arriving to set, including some straight off the runway, and they were constantly making new costumes and calling designers at midnight with ideas.

Akers spoke about how she "wanted to reference different cultures, traditions and tribes, but to have the freedom to create fantasy, for people to be able to escape into a new world". I've been saving this baby for a moment now, and I want to do it. Farinah continued to research about different hairstyles and cultures, and the team spent over 16 hours a day for 6 days to create more than 40 wigs. Farinah stated that the aim of the hairstyling was to "educate people about Blackness and Black hair, Black trends, how amazing it is and the story behind it, the history behind these cultures", as "Black women's hair and Black trends have been put down for so many years" and these styles were "not just hair" but had deep meanings behind them.

Another of the hairstyles in the same video used Bantu knots to pay respect to the Zulu people , with an ankh symbol in the center to symbolize life as in ancient Egyptian culture. In the same video, another hairstyle known as Orisha Bunmi can be seen, which is a Nigerian style worn for special events. There were 11 choreographers who worked on Black Is King. They showed Knight choreography to "Already" that they had made a few days prior for a class they were teaching. I wanted to make sure Africa was being represented properly and not diluted. Paying homage to the originators, paying respect to our culture—some people might not care.

But she was very receptive. She was being respectful the whole time, listening. And every move was clean, sharp, crisp. Knight worked with Mary Jeanette Ramsey, executive director of Aqualillies , to choreograph the routine. Various pieces of art were added to the sets in Black Is King. In the mansion used for the video, a painting by Derrick Adams was placed on the walls, as well as sculptures by Woodrow Nash, whose work fuses Benin art with Art Nouveau. Statues that were on the "Keys to the Kingdom" set, including one of a black woman with a child wrapped on her back, were intended to inspire young black children, with director Ibra Ake saying: "Just seeing that as a black man, coming from America, I'm like, yeah this is opposite of what I have to inspire me growing up.

You just don't get to see representation like that or black people honored in that way. The church featured in the "Nile" and "My Power" videos was painted fully in white by a team of over people working for 38 hours straight, to reflect the use of white as a symbol of mourning in certain cultures. According to production designer Hannah Beachler , the solemn nature of the funeral in "Nile" and the celebratory nature of "My Power" not only reflects the protagonist's journey, but also symbolizes Black Is King 's message of "mourning what we were in order to celebrate what we are". The Bese Saka adinkra symbol was placed on the floor of the church to signify power, abundance and unity.

The arches were inspired by Alejandro Jodorowsky 's film The Holy Mountain , bringing "the piece into an abstract and modern space". Principal photography for Black Is King took place in the latter half of for four to six months. I landed on mountains to swim in waterfalls. The Ghanaian chapter was led by director Joshua Kissi. Filming took place in the Eastern Region and Greater Accra Region , with the team wanting to include locations that were underrepresented in depictions of Ghana, such as Shatta Wale's hometown of Nima.

Issaka also noted that Black Is King is "a testament to the talent and capability of Black artists— who when given the chance, can create phenomenal work. People take inspiration from Africa all the time, but hiring people and providing local people on the ground with opportunities is a whole other thing. Inspiration is not going to fill my bank account, show me the money. The crew scouted locations of sand dunes for a full day to look for interesting shapes in the landscape, such as deep valleys or high ridges that would play well with the drone.

The sequins and crystals in the fashion were lit so that they could sparkle and glimmer to resemble stars. The concept for the segment was to show the characters living a carefree lifestyle with a dreamscape reminiscent of old Hollywood. In order to give the video a vintage look, director of photography Santiago Gonzalez employed Kowa Cine Prominar lenses — spherical lenses built in the s — providing a warmer flare, good contrast and a saturation that imparts brightness and opulence.

Gonzalez also used a diffusion filter to bloom the highlights and make the images slightly softer, and made the window light bloom so that they conveyed a dream-like quality to the video. The old Hollywood dreamscape culminated in a Busby Berkeley -style aqua-musical fantasy with a synchronized swimming routine inspired by the Esther Williams film Bathing Beauty. Nicole Chin Sue, one of the synchronised swimmers in the video, recalled: [78]. She told them she wants them to continue, that they are going to inspire the world, and that all the young girls like Blue are going to see this and want to do it. She was such a boss, directing, overlooking everything, and so sweet and warm. It was an amazing shoot.

That was probably the biggest moment of my career as a performer, as a synchronized swimmer, and as a Jamaican. Director of photography Santiago Gonzalez employed Arri Ultra-Wide 8mm Prime lenses and used low sweeping angles for the "My Power" video to make the columns on set feel "huge" and "alive" and to add speed to the camera movement, amplifying the dynamism of the choreography. Gonzalez consequently kept the lighting bright with less of a key light, highlighting the women's natural beauty. Director Jenn Nkiru chose to primarily feature South London, including her hometown of Peckham , due to its large black and South Asian communities. It's her company, her thing, her money, and her vision that make this project.

Post-production took place from December with Emmanuel Adjei supervising the visual-effects. Beyonce always pushes for greatness. This is nothing less". Black Is King is based on the music of The Lion King: The Gift , with each song on the album receiving corresponding visuals in the film. An extended version of "Black Parade" was used for the film's credits. Sam Adams of Slate wrote that the inclusion of this selection of recordings in Black Is King "underline the way in which tradition is passed down through music" as well as "how that transmission can be exploited by outside parties for profit".

Linda received no credit for his song's inclusion in the film, and neither he nor his descendants were financially compensated. Some of the members of the cast and crew were subsequently announced. For the film's release, Twitter implemented a new feature that showed an animated symbol of two golden lions featured in The Gift 's album cover and in Black Is King instead of the usual heart symbol whenever a user liked a tweet containing the hashtag BlackIsKing.

A Twitter spokesperson said: "Because we know that some of the best moments deserve a little spark and delight, we are testing a product that lets partners customize Twitter's Like button animation with iconic imagery that complements their campaign. Black Is King received universal acclaim from critics, with praise for its visuals, direction, music, themes, and cultural relevance. English film critic Mark Kermode , in an episode of Mark Kermode's Secrets of Cinema , characterized Black Is King as a "perfect union of film and popular music", describing it as a "lavish Describing it as "a visual masterpiece" that is "almost overwhelming", Menta praised the many settings and outfits in the film and noted that every detail on screen had meaning.

Arboine also praised how the film showcases a diverse range of elements that constitute blackness, such as black debutante balls , London council estates and durags. Weinbender concluded: "She's in complete control of every element here, confidently so, and the texture and warmth she brings to this project suggests it should stay that way.

Dominic Patten of Deadline wrote that with Black Is King , "you have a cultural dominance almost unknown nowadays", with the film being "the conformation of its creator and star as the cultural Queen of our time. Emba wrote: "Each Afrobeats-inflected track was a reminder that to be Black is not all sadness and struggle: Blackness is also joyful, audacious, unique, creative and proud. The album reminded me that America's tortured relationship with race was only one part of an international experience, not the whole of it. Blackness is bigger than that; in fact, it's transcendent.

The "Already" and "Brown Skin Girl" videos contained within the film were named the best and second-best music videos of , respectively, by Insider. Her choreography is emotional and athletic. Her storytelling is personal and vivid. Her references are spiritual and learned. Television Academy governor Laura Guzik said that the film is a "superb example of the art of costume design and supervision, showing great creativity in the conception and execution" of its unique vision.

Universities have offered programming that involves studying Black Is King. The course will use songs from the film to explore the high status of women in the Nubian Kingdom of Kush and "how ancient Africans of the Nile Valley understood female power and presence". Dissect , a podcast that takes an academic approach to analyzing culturally impactful albums, dedicated a seven-episode season to Black Is King. The hosts conduct an in-depth exploration of the historical references, African symbolism and lyrical metaphors within the film. Inspired by Black Is King , the New York Public Library published a guide of various materials such as literature, documentaries and photographic collections that "you can use to expand your knowledge of the arts and cultures from across the African Diaspora", building on the film's aim of celebrating the various cultures of the diaspora through art, fashion and music.

American rapper Yung Baby Tate cited Black Is King as a "very big inspiration" for the concept and editing of the music video for her single "I Am". From Wikipedia, the free encyclopedia. Parkwood Entertainment [1] Walt Disney Pictures [1] [3]. Release date. July 31, Running time. See also: List of Afrofuturist films. The Mursi people 's use of horns top inspired a hairstyle in the " Already " video bottom. The Mangbetu people 's skull elongation top inspired a hairstyle in the " Brown Skin Girl " video bottom. The Hollywood Reporter.

Retrieved August 5, Retrieved July 31, Los Angeles Times. August 1, Retrieved August 16, The Atlantic. Retrieved November 21, The Ringer. Retrieved August 17, Here's everything you may have missed". The Guardian. Retrieved November 30, Vogue India. Retrieved September 8, August 5, The Independent. Retrieved September 16, Awesomely Luvvie. August 3, August 8, Retrieved August 13, Nigerian Entertainment Today. August 10, Good Morning America. Teen Vogue. August 6, The Washington Post. ISSN Retrieved September 24, The Standard. Retrieved August 7, Rolling Stone. The Sydney Morning Herald. August 12, Retrieved August 24, Retrieved August 4, August 2, August 4, Retrieved September 23, The Wall Street Journal.

Digital Spy. Retrieved July 13, PR Newswire Press release. Her father died in , after developing an infection; a white hospital near his home would not treat him due to his race, Saar says. Her family briefly lived with her paternal grandmother in the Watts neighbourhood of LA, then moved to suburban Pasadena to live with her maternal aunt and uncle. But Saar continued visiting Watts, where she saw the artist Simon Rodia working on the architectural structures known as the Watts Towers , which he started in and finally completed in Witnessing Rodia use a hodgepodge of materials — concrete, wire mesh, porcelain, tile, glass and found objects — taught Saar that any item could be used to create art.

Growing up, she loved drawing and painting so much that her mother would always buy her art supplies as gifts, while her sisters and brothers received bicycles and skates. Every once a while, she would protest. She was fascinated too by magic and mysticism. Although much of the US was racially segregated during her childhood in the s and 40s, her neighbourhood was mixed, with African Americans, Latinos and white people, while her own background includes African American, Native American and European heritage. She lived just two blocks away from a youth who would go on to make history: Jackie Robinson.

But she remembers how his success led to the relaxation of segregation policies in their town. At the time African Americans were only allowed to sit in certain parts of cinemas or even visit only on certain days of the week, she recalls. She married the ceramicist Richard Saar three years later and went on to have three daughters with him: Alison, Lezley and Tracye. Saar studied printmaking in after she saw an exhibition by the pioneering assemblage artist Joseph Cornell at the Pasadena Art Museum, inspiring her to create a work that would comment on race, gender and spirituality.

With a nod to her astrological sign, Leo, embodied by a lion, and to her divorce, the work allowed Saar to work through her personal trauma and the grief she felt in the aftermath of the Watts rebellion — six days of deadly riots that began when a police stop of a Black motorist turned violent — as well as the assassination of Martin Luther King Jr. There, she saw a variety of African art and found the use of spirituality and organic materials — soil, feathers, wood — so inspiring that she made a trip to Lagos, Nigeria, in She subsequently travelled to Senegal as well as to the African diaspora countries Brazil and Haiti.

During her travels, she scavenged for materials to use in her own work, linking the African and African American experiences together. Her interest in Aunt Jemima began when she was asked to contribute to an exhibition about Black heroes for artists of colour at the Oakland Museum. That became my theme — taking the negative and making it positive. Through the 70s Saar continued to create works about her own life. The mixed-media work includes a compartmentalised case filled with jewellery, quilting fabric, sewing pins, a baby picture and a broken hand mirror.

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