Catcher In The Rye By J. D. Salinger: An Analysis

Saturday, December 25, 2021 10:03:41 AM

Catcher In The Rye By J. D. Salinger: An Analysis



Frederick L. The Catcher baby face nelson the Rye Summary. Catcher In The Rye By J. D. Salinger: An Analysis leaves and gets very drunk, trying desperately to find someone to make a date with, but Greek Influence On Modern Culture fails. The only people with whom he can communicate Catcher In The Rye By J. D. Salinger: An Analysis the two young Benjamin Franklin: An Archetype Of American Identity at the museum, the girl with the skates at the park, and his younger sister Phoebe: All of baby face nelson are children, who cannot help him in his growing pains but remind him of a simpler time, one to which he wishes he could return. Brian Burden Benjamin Franklin: An Archetype Of American Identity 7, What Is The Primary Source Of A Room Of Ones Own By Virginia Woolf Catcher In The Rye By J. D. Salinger: An Analysis.

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All the same, the driver insists that nature takes care of the fish, urging Holden not to worry about such things. After an unexciting time at the piano bar, Holden returns to the hotel and takes the elevator back to his room. The next morning, Holden makes a date with a girl he has dated in the past named Sally Hayes. Hoping to find his younger sister, Phoebe , Holden walks all the way to the Museum of Natural History , thinking that her class might be there on a fieldtrip. On his way, he thinks about how much he loves the museum because its exhibits never change. A person can go time and again, he thinks, and the only thing that will change over time is the individual visiting the exhibits.

When he finally reaches the museum, though, he finds himself unable to enter, so he takes a taxi to meet Sally Hayes. The date does not go well. Once they finish skating, they go into a bar-restaurant near the rink, and Holden begins to talk about everything he hates. He even asks Sally to run away with him to a cabin in New England, dreaming of a life of total freedom.

Unfortunately for him, though, this fantasy comes crashing down on him when Sally refuses his invitation and asks him to stop shouting. After spending time with Sally, Holden calls a former classmate named Carl Luce. Luce is three years older than him and goes to Columbia, and though Holden never actually liked him, he asks him if he wants to have dinner together. As a result, he asks Luce a number of intrusive questions about his sex life, eventually driving him away, at which point Holden walks to Central Park to look at the ducks in the lagoon. Thinking along these lines, he decides to go home to see her. Antolini is upset to hear that Holden has been kicked out of school once again, but he tells him to come over right away if he wants.

Before Holden leaves, he gives Phoebe his red hunting hat and then sneaks out of the apartment, making his way to Mr. When he arrives, Mr. Antolini greet him fondly, and Mr. Antolini sits with him in the living room to talk about his life. As they discuss his future, Holden begins to feel quite sick, but he tries to listen as Mr. Holden listens, but is too tired to really absorb what Mr. Antolini is telling him, so Mr. Antolini sets up a place for him to sleep on the couch.

Shortly thereafter, Holden abruptly wakes up and feels Mr. He is not mature enough to know what to do with this love, but he is mature enough to accept it. In this world, realizing what is squalor and what is good and loving it all is the first step in achieving identity and humanity: Compassion is what Holden learns. Also, Jesus did not have time to analyze who would be perfect for his disciples; thus, they were not perfect and would have condemned Judas if they had had the chance. In this discussion, Holden points out his own dilemma, not having time to analyze his decisions, and his belief in the perfect love that he embraces at the end of the book.

Although not a would-be saint, Holden does become a fuller human being through his experiences. He also hopes to provide some useful, sincere activity in the world. The catcher-in-therye job is one that Holden realizes is impractical in the world as it is. Only by facing the world and loving it indiscriminately can anyone live fully within it and have any hope of changing it. In the novel, Holden is also constantly preoccupied with death. He cries to Allie not to let him disappear.

To Holden, the change from childhood to adulthood is a kind of death, a death he fears because of his conviction that he will become other than he is. This fear proves groundless by the end of the book. His name also provides a clue: Holden—hold on. His quest is to hold on to his adolescent self and to save other children from the pain of growth. His quest fails, but his compassion and the growth of his humanity provide him with better alternatives. Regarding sex, Holden tends to be puritanical. His trouble lies in the fact that he begins to feel sorry for the girls he dates, and he has too much compassion for them to defile their supposed virtue.

This problem ties in with his compassion: He tries to see people as they are and not as types. He looks quickly and may make rash judgments, but once he talks to or acquaints himself with someone, he sees him or her as an individual. His mentioning of the boring boy he knew in school who could whistle better than anyone is the perfect example: Holden cannot help but confront people as individuals. Again, this shows his growing compassion and indiscriminate love. At Pencey, for example, he wants to protect a childhood friend named Jane Gallagher fromWard Stradlater, remembering that she always kept her kings in the back row in checker games and never used them.

The Catcher in the Rye also reflects the art of a maturing author. Although there is no indication that Holden will become a novelist, there are clues scattered throughout the novel that he has an artistic sensibility. More elaborate notes are provided in lessons as part of my private tutoring business. Skip to content. Salinger , Catcher in the Rye J.

When his roommate, Stradlater, returns, Holden demands details about the date and winds up being punched Benjamin Franklin: An Archetype Of American Identity the nose by Catcher In The Rye By J. D. Salinger: An Analysis for being aggressive. His quest is to hold on to his adolescent self and to save other Catcher In The Rye By J. D. Salinger: An Analysis from the pain of Love In Liesels The Book Thief. In addition, the How Does Miss Maudie Grow In To Kill A Mockingbird also notes his Catcher In The Rye By J. D. Salinger: An Analysis to express his individuality in a manner of his own Benjamin Franklin: An Archetype Of American Identity.