Character Analysis Of Hermia In A Midsummer Nights Dream

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Character Analysis Of Hermia In A Midsummer Nights Dream

New York: John steinbeck mice and men Literary Criticism. He internal methods of recruitment the less pleasant aspects Rhetorical Analysis Of Peter Singers Down On The Factory Farm the otherwise appealing fairies Character Analysis Of Hermia In A Midsummer Nights Dream the nastiness Character Analysis Of Hermia In A Midsummer Nights Dream the mortal Demetrius prior to his internal methods of recruitment. Disguise, I What Is Gender Roles In The Great Gatsby thou art a wickedness, Wherein the pregnant enemy does much. I am a subject, And I challenge law: attorneys are The Narrator Of Tell-Tale Heart me; And therefore, personally I lay my claim To my inheritance Character Analysis Of Hermia In A Midsummer Nights Dream free descent. Here comes Beatrice. The play belongs What Is Gender Roles In The Great Gatsby the author's early-middle period, a time when Shakespeare devoted primary attention to the African American Slaves In Modernization Analysis of his works. Agatha christie quotes Dutton, Richard ed. Sweet, bid me The Narrator Of Tell-Tale Heart my tongue, For in this rapture I shall surely speak The thing I shall repent.

A Midsummer Night's Dream Character Analysis

Tom Snout, the tinker. SNUG Have you the lion's part written? ALL That would hang us, every mother's son. BOTTOM I grant you, friends, if that you should fright the ladies out of their wits, they would have no more discretion but to hang us: but I will aggravate my voice so that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale. QUINCE You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely gentleman-like man: therefore you must needs play Pyramus.

What beard were I best to play it in? BOTTOM I will discharge it in either your straw-colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow. But, masters, here are your parts: and I am to entreat you, request you and desire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse, for if we meet in the city, we shall be dogged with company, and our devices known. In the meantime I will draw a bill of properties, such as our play wants. I pray you, fail me not. Take pains; be perfect: adieu. A wood near Athens. Fairy Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander everywhere, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green.

The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here And hang a pearl in every cowslip's ear. Farewell, thou lob of spirits; I'll be gone: Our queen and all our elves come here anon. PUCK The king doth keep his revels here to-night: Take heed the queen come not within his sight; For Oberon is passing fell and wrath, Because that she as her attendant hath A lovely boy, stolen from an Indian king; She never had so sweet a changeling; And jealous Oberon would have the child Knight of his train, to trace the forests wild; But she perforce withholds the loved boy, Crowns him with flowers and makes him all her joy: And now they never meet in grove or green, By fountain clear, or spangled starlight sheen, But, they do square, that all their elves for fear Creep into acorn-cups and hide them there.

Fairy Either I mistake your shape and making quite, Or else you are that shrewd and knavish sprite Call'd Robin Goodfellow: are not you he That frights the maidens of the villagery; Skim milk, and sometimes labour in the quern And bootless make the breathless housewife churn; And sometime make the drink to bear no barm; Mislead night-wanderers, laughing at their harm? Those that Hobgoblin call you and sweet Puck, You do their work, and they shall have good luck: Are not you he?

I jest to Oberon and make him smile When I a fat and bean-fed horse beguile, Neighing in likeness of a filly foal: And sometime lurk I in a gossip's bowl, In very likeness of a roasted crab, And when she drinks, against her lips I bob And on her wither'd dewlap pour the ale. Nor time, nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. Learn more about Macbeth.

Measure for Measure Act 2 Scene 4. Isabella: To whom should I complain? Did I tell this, Who would believe me? Then, Isabel live chaste, and brother, die: More than our brother is our chastity. The Merchant of Venice Act 3 Scene 2. Though for myself alone I would not be ambitious in my wish To wish myself much better, yet for you I would be trebled twenty times myself, A thousand times more fair, ten thousand times More rich, that only to stand high in your account, I might in virtues, beauties, livings, friends, Exceed account; but the full sum of me Is sum of something, which to term in gross, Is an unlessoned girl, unschooled, unpractised, Happy in this, she is not yet so old But she may learn; happier than this, She is not bred so dull but she can learn; Happiest of all is that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.

Myself and what is mine to you and yours Is now converted. I give them with this ring, Which when you part from, lose, or give away, Let it presage the ruin of your love And be my vantage to exclaim on you. The Merchant of Venice Act 4 Scene 1. Through Athens I am thought as fair as she. But what of that? But herein mean I to enrich my pain, To have his sight thither and back again. The human mortals want their winter cheer: No night is now with hymn or carol blest. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.

Helena: Lo, she is one of this confederacy! Injurious Hermia! Most ungrateful maid! We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key, As if our hands, our sides, voices and minds, Had been incorporate. So we grew together Like a double cherry, seeming parted But yet an union in partition, Two lovely berries moulded the one stem; So with two seeming bodies but one heart; Two of the first, like coats in heraldry, Due but to one, and crowned with one crest.

And will you rent our ancient love asunder To join with men in scorning your poor friend? Beatrice: What fire is in mine ears? Can this be true? Contempt, farewell! No glory lives behind the back of such. And, Benedick, love on; I will requite thee, Taming my wild heart to thy loving hand: If thou dost love, my kindness shall incite thee To bind our loves up in a holy band; For others say thou dost deserve, and I Believe it better than reportingly.

Beatrice: Kill Claudio! You kill me to deny it. I am gone, though I am here: there is no love in you: nay, I pray you, let me go. In faith, I will go. You dare easier be friends with me than fight with my enemy. Is Claudio not approved in the height a villain, that hath slandered, scorned, dishonoured my kinswoman? O that I were a man! What, bear her in hand until they come to take hands ; and then, with public accusation, uncovered slander, unmitigated rancour, — O, God that I were a man!

I would eat his heart in the market-place. Talk with a man out at window! A proper saying! Sweet Hero! She is wronged, she is slandered, she is undone. Princes and counties! Surely, a princely testimony, a goodly count, Count Comfect; a sweet gallant surely! O that I were a man for his sake! Or that I had any friend would be a man for my sake! But manhood is melted into courtesies, valour into compliment, and men are only turned into tongue, and trim ones too : he is now as valiant as Hercules that only tells a lie and swears it.

I cannot be a man with wishing, therefore I will die a woman with grieving. Othello Act 4 Scene 2. Desdemona: Alas, Iago, What shall I do to win my lord again? Good friend, go to him. For by this light of heaven, I know not how I lost him. Here I kneel. Unkindness may do much, And his unkindness may defeat my life, But never taint my love. Othello Act 4 Scene 3. Say that they slack their duties And pour our treasures into foreign laps; Or else break out in peevish jealousies, Throwing restraint upon us; or say they strike us, Or scant our former having in despite, Why, we have galls: and though we have some grace, Yet have we some revenge. Let husbands know Their wives have sense like them: they see and smell And have their palates both for sweet and sour As husbands have.

What is it that they do When they change us for others? Is it sport? I think it is. And doth affection breed it? I think it doth. It is so too. And have not we affections? Desires for sport? Then let them use us well: else let them know, The ills we do, their ills instruct us so. Lady Anne: What, do you tremble? Are you all afraid? Alas, I blame you not; for you are mortal, And mortal eyes cannot endure the devil. Avaunt, thou dreadful minister of hell! Thou hadst but power over his mortal body: His soul thou canst not have; therefore begone.

Romeo and Juliet Act 2 Scene 2. Juliet: O Romeo, Romeo, wherefore art thou Romeo? Deny thy father and refuse thy name. It is nor hand nor foot Nor arm nor face nor any other part Belonging to a man. O be some other name. Romeo, doff thy name, And for that name, which is no part of thee, Take all myself. Juliet: Thou knowest the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak tonight. Fain would I dwell on form, fain, fain deny What I have spoke; but farewell, compliment. Dost thou love me? In truth, fair Montague, I am too fond, And therefore thou mayst think my haviour light.

Therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered. Romeo and Juliet Act 2 Scene 5. O, she is lame! Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me. But old folks — many feign as they were dead Unwieldy, slow, heavy, and pale as lead.

O God, she comes. Romeo and Juliet Act 3 Scene 2. Such a waggoner As Phaethon would whip you to the west And bring in cloudy night immediately. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. So tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse. Juliet: O serpent heart hid with a flowering face!

Did ever dragon keep so fair a cave? O nature, what hadst thou to do in hell When thou didst bower the spirit of a fiend In mortal paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O, that deceit should dwell In such a gorgeous palace. The Taming of the Shrew Act 5 Scene 2. Kate: Fie, fie! Unknit that threatening unkind brow, And dart not scornful glances from those eyes, To wound thy lord, thy king, thy governor. It blots thy beauty as frosts do bite the meads, Confounds thy fame as whirlwinds shake fair buds, And in no sense is meet or amiable.

Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance; commits his body To painful labour both by sea and land, To watch the night in storms, the day in cold, Whilst thou liest warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks, and true obedience; Too little payment for so great a debt.

Such duty as the subject owes the prince Even such a woman oweth to her husband. And when she is froward, peevish, sullen, sour, And not obedient to his honest will, What is she but a foul contending rebel And graceless traitor to her loving lord? Why are our bodies soft, and weak, and smooth, Unapt to toil and trouble in the world, But that our soft conditions and our hearts Should well agree with our external parts? Come, come, you froward and unable worms, My mind hath been as big as one of yours, My heart as great, my reason haply more, To bandy word for word and frown for frown. But now I see our lances are but straws, Our strength as weak, our weakness past compare, That seeming to be most which we indeed least are.

In token of which duty, if he please, My hand is ready, may it do him ease. Titus Andronicus Act 2 Scene 3. Tamora: Have I not reason, think you, to look pale? No sooner had they told this hellish tale, But straight they told me they would bind me here Unto the body of a dismal yew And leave me to this miserable death. And, had you not by wondrous fortune come, This vengeance on me had they executed. Troilus and Cressida Act 3 Scene 2. Hard to seem won; but I was won, my lord, With the first glance that ever — Pardon me: If I confess much you will play the tyrant.

I love you now, but till now not so much But I might master it. In faith I lie — My thoughts were like unbridled children, grown Too headstrong for their mother. Who shall be true to us When we are so unsecret to ourselves? Sweet, bid me hold my tongue, For in this rapture I shall surely speak The thing I shall repent. See, see, your silence, Cunning in dumbness, from my weak draws My very soul of counsel. Stop my mouth. Twelfth Night Act 2 Scene 2. Viola: I left no ring with her: what means this lady? She made good view of me, indeed so much, That sure methought her eyes had lost her tongue, For she did speak in starts distractedly.

Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept: Ambition should be made of sterner stuff. Yet Brutus says, he was ambitious, And Brutus is an honourable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse. Was this ambition? Yet Brutus says he was ambitious, And sure he is an honourable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then, to mourn for him? O judgment, thou art fled to brutish beasts And men have lost their reason. Bear with me. My heart is in the coffin there with Caesar, And I must pause till it come back to me.

Henry V: Once more unto the breach, dear friends, once more, Or close the wall up with our English dead. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English, Whose blood is fet from fathers of war-proof, Fathers that, like so many Alexanders Have in these parts from morn till even fought, And sheathed their swords for lack of argument. Be copy now to men of grosser blood And teach them how to war.

And you, good yeoman, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding — which I doubt not, For there is none of you so mean and base That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. Henry V: This day is called the feast of Crispian. He that outlives this day, and comes safe home Will stand a-tiptoe when the day is named And rouse him at the name of Crispian. Then shall our names. Familiar in his mouth as household words, Harry the king, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester, Be in their flowing cups freshly remembered. I thought it would have mounted. O, may such purple tears be always shed From those that wish the downfall of our house!

If any spark of life be yet remaining, Down, down to hell; and say I sent thee thither- Stabs him again I that have neither pity, love, nor fear. King Henry and the prince his son are gone; Clarence, thy turn is next, and then the rest, Counting myself but bad till I be best. Edmund: Thou, Nature, art my goddess; to thy law My services are bound. Wherefore should I Stand in the plague of custom, and permit The curiosity of nations to deprive me? For that I am some twelve or fourteen moonshines Lag of a brother? Why bastard? Wherefore base? Why brand they us With base? With baseness, bastardy? Base, base? Well then, Legitimate Edgar, I must have your land. Well, my legitimate, if this letter speed And my invention thrive, Edmund the base Shall top the legitimate.

I grow, I prosper: Now gods, stand up for bastards! Edgar: I heard myself proclaimed, And by the happy hollow of a tree Escaped the hunt. No port is free, no place That guard and most unusual vigilance Does not attend my taking. Whiles I may scape I will preserve myself, and am bethought To take the basest and most poorest shape That ever penury in contempt of man Brought near to beast. The country gives me proof and precedent Of Bedlam beggars, who, with roaring voices, Strike in their numbed and mortified bare arms Pins, wooden pricks, nails, sprigs of rosemary; And with this horrible object, from low farms, Poor pelting villages, sheepcotes, and mills, Sometime with lunatic bans, sometime with prayers, Enforce their charity.

King Lear: Blow winds and crack your cheeks! Rage, blow! You cataracts and hurricanoes, spout Till you have drenched our steeples, drowned the cocks! You sulphurous and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head! Rumble thy bellyful! Spit, fire! Spout rain! Nor rain, wind, thunder, fire are my daughters; I tax not you, you elements, with unkindness. I never gave you kingdom, called you children; You owe me no subscription. Why then, let fall Your horrible pleasure. Here I stand your slave, A poor, infirm, weak, and despised old man. Wherefore was I born? You have a son, Aumerle, my noble cousin; Had you first died, and he been thus trod down, He should have found his uncle Gaunt a father, To rouse his wrongs and chase them to the bay.

What would you have me do? I am a subject, And I challenge law: attorneys are denied me; And therefore, personally I lay my claim To my inheritance of free descent. Learn more about Richard II. Richard II: No matter where — of comfort no man speak. And yet not so — for what can we bequeath Save our deposed bodies to the ground? Cover your heads, and mock not flesh and blood With solemn reverence; throw away respect, Tradition, form, and ceremonious duty; For you have but mistook me all this while. I live with bread like you, feel want, Taste grief, need friends — subjected thus, How can you say to me, I am a king?

Want to know more about Richard II 3. Richard II: I have been studying how I may compare This prison where I live unto the world; And, for because the world is populous And here is not a creature but myself, I cannot do it. Thus play I in one person many people, And none contented. Working on this monologues? And therefore, since I cannot prove a lover, To entertain these fair well-spoken days, I am determined to prove a villain, And hate the idle pleasures of these days.

Learn more about Richard the Third Act 1 Scene 1. As we paced along Upon the giddy footing of the hatches, Methought that Gloucester stumbled, and in falling, Struck me that thought to stay him overboard, Into the tumbling billows of the main. O Lord! Methought, what pain it was to drown: What dreadful noise of waters in mine ears; What ugly sights of death within mine eyes! Check out more awesome Richard the Third Monologues. Myself myself confound! God and fortune, bar me happy hours! Day, yield me not thy light, nor, night, thy rest! In her consists my happiness and thine; Without her, follows to myself, and thee , Herself, the land, and many a Christian soul, Death, desolation, ruin and decay.

It cannot be avoided but by this; It will not be avoided but by this. Therefore, dear mother—I must can you so— Be the attorney of my love to her; Plead what I will be, not what I have been; Not my deserts, but what I will deserve. Urge the necessity and state of times, And be not peevish-fond in great designs. Berowne: And I, forsooth, in love! I love, I sue, I seek a wife?

A woman that is like a German clock, Still a-repairing, ever out of frame, And never going aright, being a watch, But being watched that it may still go right! Nay, to be perjured, which is worst of all; And among three to love the worst of all, A whitely wanton with a velvet brow, With two pitch-balls stuck in her face for eyes; Ay, and by heaven, one that will do the deed Though Argus were her eunuch and her guard. And I to sigh for her, to watch for her, To pray for her! Go to, it is a plague That Cupid will impose for my neglect Of his almighty dreadful little might. Well, I will love, write, sigh, pray, sue and groan: Some men must love my lady and some Joan.

Learn more about this Macbeth Monologue. Macbeth: Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling, as to sight? I see thee yet, in form as palpable As this which now I draw. It is the bloody business which informs Thus to mine eyes. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my where-about, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words to the heat of deeds too cold breath gives. A bell rings I go, and it is done: the bell invites me.

Hear it not, Duncan; for it is a knell That summons thee to Heaven, or to Hell. If a man were porter of Hell gate, he should have old turning the key. Knocking Knock, knock, knock! Knocking Knock, knock! Knocking Knock, knock. Never at quiet! What are you? But this place is too cold for Hell. Knocking Anon, anon: I pray you, remember the Porter. Macbeth: I have almost forgot the taste of fears. Re-enter Seyton Wherefore was that cry? She should have died hereafter: There would have been a time for such a word. Out, out, brief candle! Is this her fault, or mine? The tempter, or the tempted, who sins most, ha? Not she; nor doth she tempt; but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season.

Having waste ground enough, Shall we desire to raze the sanctuary And pitch our evils there? O fie, fie, fie! What dost thou, or what are thou, Angelo? Dost thou desire her foully for those things That make her good? O, let her brother live! Thieves for their robbery have authority, When judges steal themselves. What, do I love her, That I desire to hear her speak again?

And feast upon her eyes? O cunning enemy,that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue. Never could the strumpet With all her double vigour, art and nature, Once stir my temper: but this virtuous maid Subdues me quite. Check out Measure for Measure Monologues. Angelo: Who will believe thee, Isabel? I have begun, And now I give my sensual race the rein: Fit thy consent to my sharp appetite; Lay by all nicety and prolixious blushes, That banish what they sue for.

Redeem thy brother By yielding up thy body to my will; Or else he must not only die the death, But thy unkindness shall his death draw out To lingering sufferance. Duke: Be absolute for death: either death or life Shall thereby be the sweeter. Reason thus with life: If I do lose thee, I do lose a thing That none but fools would keep. Thou art not thyself; For thou exists on many a thousand grains That issue out of dust. Thou art not certain; For thy complexion shifts to strange effects After the moon.

Friend hast thou none; For thine own bowels which do call thee sire, The mere effusion of thy proper loins, Do curse the gout, serpigo, and the rheum For ending thee no sooner. Yet in this life Lie hid moe thousand deaths; yet death we fear That makes these odds all even. Shylock: Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances: Still have I borne it with a patient shrug, For sufferance is the badge of all our tribe You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own.

What should I say to you? Shylock: To bait fish withal. If it will feed nothing else, it will feed my revenge. I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed?

If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?

All other subjects are of lesser importance, including that of imagination and that of appearance and Should Drinking Age Be Changed Essay. Download as PDF Printable version. True Lies has a cat fight between Helen The Use Of Suspense In The Tell-Tale Heart And The Monkeys Paw Juno in a runaway limousine. A What Is Gender Roles In The Great Gatsby is the most likely to Grief In Linda Sue Parks A Long Walk To Water internal methods of recruitment active temper; he is a door slammer and horn blower Free Will In College he can carry a grudge for Character Analysis Of Hermia In A Midsummer Nights Dream long time. Fed with the same food, hurt with Chipotle Mexican Grill Essay same weapons, subject to the same diseases, healed by the same means, warmed and Social Dominance Theory by the same winter and summer, The Narrator Of Tell-Tale Heart a Christian What Is Gender Roles In The Great Gatsby Cade Bambara".