True Friendship In Othello

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True Friendship In Othello



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The production was meant to be a summer show on Broadway in , but technical problems the Mercury Theatre in New York was not yet adequately equipped to project the film segments meant that it had to be postponed. It was due to run in repertory with Danton's Death in the fall of , but after that production suffered from numerous budgetary over-runs, a New York run of Too Much Johnson was abandoned altogether. The play ran for a two-week trial at the Stony Creek Summer Theatre , Stony Creek, Connecticut , from August 16, , in a scaled-back version which never made use of the filmed sequences. Long considered lost, the footage for Too Much Johnson was rediscovered in It opened on November 2, , but met with limited success and only ran to 21 performances, [20] closing November The company relinquished the theatre in June It opened on February 27, , at the Colonial Theatre, Boston , in a five-hour version playing from 8pm to 1am.

As the title suggests, the play was intended to be the first of a two-part production, but although it opened in three other cities, poor box-office receipts meant that plan had to be abandoned, and Five Kings Part One never played in New York, while Five Kings Part Two was never produced at all. Five Kings was an intensely personal project for Welles, who would revive a substantially rewritten version of the play retitled Chimes at Midnight in Belfast and Dublin in , and would eventually make a film of it , which he came to regard as his favourite of his own films.

The show was performed as often as four times a day. The Mercury Theatre had moved to Hollywood late in , after Welles signed a film contract which would eventually result in his debut, Citizen Kane , in In the intervening period, the troupe focused on their radio show, which had begun in and continued until March Their last full play after moving to Hollywood was a stage adaptation of Richard Wright 's anti-racism novel Native Son. It opened at the St. James's Theatre, New York, on March 24, just a month before Citizen Kane premiered , and received excellent reviews, running to performances.

This was the final Mercury production which Welles and Houseman collaborated upon. Hollywood was really the only choice. My partnership with John Houseman came to an end with the move to California. He became my employee, expensive and not particularly pleasant or productive. Our mutual discomfort led to his decamping California and returning to New York. Although the Mercury troupe technically dissolved either in when Welles and Houseman parted or when the entire Mercury unit was sacked by RKO - see below , Welles produced and directed this morale-boosting variety show for US troops in , featuring a number of Mercury actors including Joseph Cotten and Agnes Moorehead.

The show was based in a 2,seater tent on Cahuenga Boulevard , Hollywood, where it ran for a month from August 3, , before touring nationwide. Hiram Sherman in The Shoemaker's Holiday. The series began on July 11, , initially titled First Person Singular , with the formula that Welles would play the lead in each show. Some months later the show was called The Mercury Theatre on the Air. Welles insisted his Mercury company — actors and crew — be involved in the radio series. This was an unprecedented and expensive request, especially for one so young as Welles. Most episodes dramatized works of classic and contemporary literature. It remains perhaps the most highly regarded radio drama anthology series ever broadcast, most likely due to the creativity of Orson Welles.

The Mercury Theatre on the Air was an hour-long program. Houseman wrote the early scripts for the series, turning the job over to Howard E. Koch at the beginning of October. Music for the program was composed and conducted by Bernard Herrmann. Originally scheduled for nine weeks, the network extended the run into the autumn, moving the show from its Monday night slot, where it was the summer substitute for the Lux Radio Theater , to a Sunday night slot opposite Edgar Bergen 's popular variety show. The early dramas in the series were praised by critics, but ratings were low. A single broadcast changed the program's ratings: the October 30, adaptation of H. Wells ' The War of the Worlds.

Possibly thousands of listeners thought Martians were in fact invading the earth, due to the faux-news quality of most of the broadcast. Significant publicity was generated, and The Mercury Theatre on the Air quickly became one of radio's top-rated shows. The notoriety of "The 'War of the Worlds" had a welcome side effect of netting the show the sponsorship of Campbell's Soup , guaranteeing its survival for a period, and beginning on December 9, , the show was retitled The Campbell Playhouse.

The Mercury Theatre continued broadcasting minute episodes in —40, now sponsored by Campbell's Soup and punctuated by commercials. The company moved to Hollywood for their second season, and Hollywood stars began to be featured in guest roles. A full list of the 56 episodes can be found at The Campbell Playhouse. The Campbell Playhouse briefly continued after Welles's final performance in March , with a truncated third season broadcast thereafter without the Mercury Theatre, but it was not a success. The Mercury troupe had disbanded by the time Welles made this series, commonly known as The Mercury Summer Theatre , in the summer of Nonetheless, it carried the Mercury name, was produced, written, directed and presented by Welles and often starred or co-starred him , and it combined abridged scriptings of old Mercury performances with new shows.

Occasionally, former members of the troupe would guest star in the minute program. The series had limited success, it only lasted 15 episodes, and it was not renewed for a further season. Schaefer 's unusual contract. Welles made a deal with Schaefer on July 21, to produce, direct, write, and act in three feature films. The number of films was later changed - see below. Welles was allowed to develop the story without interference, cast his own actors and crew members, and have the privilege of final cut, unheard of at the time for a first-time director.

Welles later claimed that nobody in Hollywood had enjoyed this level of artistic freedom since Erich von Stroheim in the early s. Few of them had any film experience. Welles spent the first five months of his RKO contract learning the basics of making films, and trying to get several projects going with no success. Welles then considered adapting Cecil Day-Lewis ' novel The Smiler With The Knife , but realized that this relatively straightforward pulp thriller was unlikely to make much impact for his film debut. He concluded that to challenge himself with a new medium, he had to write an original story. As Welles decided on an original screenplay for his first film , he settled on a treatment he wrote, entitled American.

In its first draft, it was only partially based on William Randolph Hearst , and also incorporated aspects of other tycoons such as Howard Hughes. However, American was heavily overlength, and Welles soon realised he would need an experienced co-writer to help redraft it—preferably one with experience of working with tycoons. In , screenwriter Herman J. Mankiewicz was a former Hearst journalist recuperating from a car accident, and was in between jobs. He had originally been hired by Welles to work on The Campbell Playhouse radio program and was available to work on the screenplay for Welles's film.

The writer had only received two screenplay credits between and his work on Citizen Kane and needed the job, his reputation having plummeted after he descended into alcoholism in the late s. In the s and s, there was a dispute amongst historians regarding whose idea it was to use William Randolph Hearst as the basis for Charles Foster Kane. For some time, Mankiewicz had wanted to write a screenplay about a public figure, perhaps a gangster, whose story would be told by the people that knew him. Welles claimed it was his idea to write about Hearst, while film critic Pauline Kael in her widely publicised essay " Raising Kane " and Welles's former business partner John Houseman claim that it was Mankiewicz's idea.

Kael further claimed that Welles had written nothing of the original script, and did not deserve a co-writer credit. He additionally concluded that Houseman's claims to have contributed to the script were largely unfounded. Welles liked the idea of multiple viewpoints but was not interested in playing Dillinger. Mankiewicz and Welles talked about picking someone else to use a model.

They hit on the idea of using Hearst as their central character. Mankiewicz had frequented Hearst's parties until his alcoholism got him barred. The writer resented this and became obsessed with Hearst and Marion Davies. Hearst had great influence and the power to retaliate within Hollywood so Welles had Mankiewicz work on the script outside of the city. Because of the writer's drinking problem, Houseman went along to provide assistance and make sure that he stayed focused. Welles also sought inspiration from Howard Hughes and Samuel Insull who built an opera house for his girlfriend.

Although Mankiewicz and Houseman got on well with Welles, they incorporated some of his traits into Kane, such as his temper. Filming took place between June 29, and October 23, in what is now Stage 19 on the Paramount Pictures lot in Hollywood, and came in under schedule. Welles prevented studio executives of RKO from visiting the set. He understood their desire to control projects and he knew they were expecting him to do an exciting film that would correspond to his "The War of the Worlds" radio broadcast. Welles's RKO contract had given him complete control over the production of the film when he signed on with the studio, something that he never again was allowed to exercise when making motion pictures.

When the film was released, pressure from William Randolph Hearst led to many cinemas refusing to screen it, and it was screened in so few places that RKO made a substantial loss on the film on its original release. As a consequence of this, Welles's RKO contract was renegotiated, and he lost the right to control a film's final cut—something which would have major consequences for his next film, The Magnificent Ambersons. Welles's follow-up to Citizen Kane was an adaptation of Booth Tarkington 's novel The Magnificent Ambersons , a childhood favorite of his which he had already adapted for the radio. It portrayed the decline and fall of a proud Midwestern American family of the 19th century, as the motor car in the 20th century makes them obsolete.

Welles's relations with RKO grew strained during the making of this film. His stock had fallen considerably after Kane had commercially flopped. Whereas studio head George Schaefer had given Welles carte blanche over Kane , he closely supervised Ambersons , sensing that his own position was in danger which indeed it was - Schaefer was fired as head of RKO shortly after Ambersons was completed, and a commonly-attributed reason was for his having hired Welles with such a generous contract. RKO itself was in serious financial trouble, running a deficit. Welles himself considered his original cut of The Magnificent Ambersons to have been one of his finest films - "it was a much better picture than Kane ".

However, RKO panicked over a lukewarm preview screening in Pomona, California , when the film ran second in a double-bill with a romantic comedy. Welles was in Brazil filming It's All True see below , so the studio decided to trim over 40 minutes of the film's two-hour running time. The first half of the film, portraying the happy times of the Ambersons in the 19th century, was largely unaffected. However, the vast majority of the second half of the film, portraying the Ambersons' fall from grace, was largely discarded as too depressing. Actors were drafted in for reshoots by other directors, who shot new scenes, including an upbeat, optimistic ending out of key with the rest of the film.

The discarded 40 minutes of scenes by Welles were burned, and detailed, telegraphed instructions from him suggesting further compromises to save the film were thrown away, unread. This truncated version of The Magnificent Ambersons had a limited released in two Los Angeles cinemas in July , where it did indifferently, and like Citizen Kane , the film lost RKO hundreds of thousands of dollars. Later in , George Schaefer was dismissed as studio head.

One of the first changes initiated by his successor, Charles Koerner, was to fire Welles from RKO, and his entire Mercury unit was removed from the studio and closed down. Instead of delivering three major "A-pictures" for the studio, Welles would instead deliver two, and would compensate for the high costs of Citizen Kane by delivering two further films with lower budgets. One of these was the straightforward espionage thriller Journey into Fear , based on a novel by Eric Ambler.

Welles wrote and produced the film, but opted not to be the main director, not least as the film was on a tight schedule, filming back-to-back with The Magnificent Ambersons. The project appealed to RKO, especially as it seemed to be a low-risk, low-budget film. The other project was first suggested by David Rockefeller , and since Welles was qualified as medically unfit for war service, it was suggested he could render service to the war effort by making a film to encourage Pan-American sentiment, since the US State Department was worried about fascist sympathies in some Latin American countries. In England and its successor states, it has been high treason to engage in adultery with the King's wife, his eldest son's wife and his eldest unmarried daughter.

The jurist Sir William Blackstone writes that "the plain intention of this law is to guard the Blood Royal from any suspicion of bastardy, whereby the succession to the Crown might be rendered dubious. Philip IV of France had all three of his daughters-in-law imprisoned, two Margaret of Burgundy and Blanche of Burgundy on the grounds of adultery and the third Joan of Burgundy for being aware of their adulterous behaviour. The two brothers accused of being lovers of the king's daughters-in-law were executed immediately after being arrested.

The wife of Philip IV's eldest son bore a daughter, the future Joan II of Navarre , whose paternity and succession rights were disputed all her life. The christianization of Europe came to mean that, in theory, and unlike with the Romans, there was supposed to be a single sexual standard, where adultery was a sin and against the teachings of the church, regardless of the sex of those involved. In practice, however, the church seemed to have accepted the traditional double standard which punished the adultery of the wife more harshly than that of the husband. Historically, many cultures considered adultery a very serious crime , some subject to severe punishment, especially for the married woman and sometimes for her sex partner, with penalties including capital punishment , mutilation , or torture.

Since the 20th century, such laws have become controversial, with most Western countries repealing them. However, even in jurisdictions that have decriminalised adultery, adultery may still have legal consequences, particularly in jurisdictions with fault-based divorce laws, where adultery almost always constitutes a ground for divorce and may be a factor in property settlement , the custody of children, the denial of alimony , etc.

Adultery is not a ground for divorce in jurisdictions which have adopted a no-fault divorce model, but may still be a factor in child custody and property disputes. In jurisdictions where adultery is illegal, punishments vary from fines for example in the US state of Rhode Island [] to caning in parts of Asia. Sometimes such stonings are ordered by informal village leaders who have de facto power in the community. For instance it may constitute fault in countries where the divorce law is fault based or it may be a ground for tort.

In some jurisdictions, the "intruder" the third party is punished, rather than the adulterous spouse. For instance art of the Penal Code of South Sudan reads: "Whoever, has consensual sexual intercourse with a man or woman who is and whom he or she has reason to believe to be the spouse of another person, commits the offence of adultery [ Historically, paternity of children born out of adultery has been seen as a major issue. Modern advances such as reliable contraception and paternity testing have changed the situation in Western countries. Most countries nevertheless have a legal presumption that a woman's husband is the father of her children who were born during that marriage.

Although this is often merely a rebuttable presumption , many jurisdictions have laws which restrict the possibility of legal rebuttal for instance by creating a legal time limit during which paternity may be challenged — such as a certain number of years from the birth of the child. Children born out of adultery suffered, until recently, adverse legal and social consequences.

In France , for instance, a law that stated that the inheritance rights of a child born under such circumstances were, on the part of the married parent, half of what they would have been under ordinary circumstances, remained in force until , when France was forced to change it by a ruling of the European Court of Human Rights ECtHR and in , the ECtHR also ruled that the new regulations must be also applied to children born before There has been, in recent years, a trend of legally favoring the right to a relation between the child and its biological father, rather than preserving the appearances of the 'social' family.

In , the ECtHR ruled in favor of a German man who had fathered twins with a married woman, granting him right of contact with the twins, despite the fact that the mother and her husband had forbidden him from seeing the children. Laws against adultery have been named as invasive and incompatible with principles of limited government see Dennis J. Much of the criticism comes from libertarianism , the consensus among whose adherents is that government must not intrude into daily personal lives and that such disputes are to be settled privately rather than prosecuted and penalized by public entities.

It is also argued that adultery laws are rooted in religious doctrines; which should not be the case for laws in a secular state. Historically, in most cultures, laws against adultery were enacted only to prevent women—and not men—from having sexual relations with anyone other than their spouses, [ citation needed ] with adultery being often defined as sexual intercourse between a married woman and a man other than her husband.

At the same time, men were free to maintain sexual relations with any women polygyny provided that the women did not already have husbands or "owners". These laws were enacted in fear of cuckoldry and thus sexual jealousy. Many indigenous customs, such as female genital mutilation [] and even menstrual taboos , [] have been theorized to have originated as preventive measures against cuckolding.

This arrangement has been deplored by many modern intellectuals. Opponents of adultery laws argue that these laws maintain social norms which justify violence, discrimination and oppression of women; in the form of state sanctioned forms of violence such as stoning , flogging or hanging for adultery; or in the form of individual acts of violence committed against women by husbands or relatives, such as honor killings , crimes of passion , and beatings.

An argument against the criminal status of adultery is that the resources of the law enforcement are limited, and that they should be used carefully; by investing them in the investigation and prosecution of adultery which is very difficult the curbing of serious violent crimes may suffer. Human rights organizations have stated that legislation on sexual crimes must be based on consent , and must recognize consent as central, and not trivialize its importance; doing otherwise can lead to legal, social or ethical abuses.

Amnesty International, when condemning stoning legislation that targets adultery, among other acts, has referred to "acts which should never be criminalized in the first place, including consensual sexual relations between adults". For various reasons, most couples who marry do so with the expectation of fidelity. Adultery is often seen as a breach of trust and of the commitment that had been made during the act of marriage. Adultery may lead to ostracization from certain religious or social groups. Adultery can also lead to feelings of guilt and jealousy in the person with whom the affair is being committed.

In some cases, this "third person" may encourage divorce either openly or subtly. While there is correlation, there is no evidence that divorces causes children to have struggles in later life. If adultery leads to divorce, it also carries higher financial burdens. Like any sexual contact, extramarital sex opens the possibility of the introduction of sexually-transmitted diseases STDs into a marriage. Since most married couples do not routinely use barrier contraceptives , [] STDs can be introduced to a marriage partner by a spouse engaging in unprotected extramarital sex.

This can be a public health issue in regions of the world where STDs are common, but addressing this issue is very difficult due to legal and social barriers — to openly talk about this situation would mean to acknowledge that adultery often takes place, something that is taboo in certain cultures, especially those strongly influenced by religion. In addition, dealing with the issue of barrier contraception in marriage in cultures where women have very few rights is difficult: the power of women to negotiate safer sex or sex in general with their husbands is often limited.

Historically, female adultery often resulted in extreme violence, including murder of the woman, her lover, or both, committed by her husband. Today, domestic violence is outlawed in most countries. Honor killings are often connected to accusations of adultery. Honor killings continue to be practiced in some parts of the world , particularly but not only in parts of South Asia and the Middle East. Honor killings are treated leniently in some legal systems. In some parts of the world, honor killings enjoy considerable public support: in one survey, Until , in Syria , it was legal for a husband to kill or injure his wife or his female relatives caught in flagrante delicto committing adultery or other illegitimate sexual acts.

The law has changed to allow the perpetrator to only "benefit from the attenuating circumstances, provided that he serves a prison term of no less than two years in the case of killing. Article states that a judge may opt for reduced punishments such as short-term imprisonment if the killing was done with an honorable intent. Article says that a judge may reduce a sentence for murders that were done in rage and caused by an illegal act committed by the victim. Crimes of passion are often triggered by jealousy, and, according to Human Rights Watch , "have a similar dynamic [to honor killings] in that the women are killed by male family members and the crimes are perceived as excusable or understandable. Stoning , or lapidation, refers to a form of capital punishment whereby an organized group throws stones at an individual until the person dies, or the condemned person is pushed from a platform set high enough above a stone floor that the fall would probably result in instantaneous death.

Stoning continues to be practiced today, in parts of the world. Recently, several people have been sentenced to death by stoning after being accused of adultery in Iran, Somalia, Afghanistan, Sudan, Mali, and Pakistan by tribal courts. In some jurisdictions flogging is a punishment for adultery. In , a year-old girl in Bangladesh died after being publicly lashed, when she was accused of having an affair with a married man. Her punishment was ordered by villagers under Sharia law. Married people who form relations with extramarital partners or people who engage in relations with partners married to somebody else may be subjected to violence in these relations.

The theme of adultery has been used in many literary works, and has served as a theme for notable books such as Anna Karenina , Madame Bovary , Lady Chatterley's Lover , The Scarlet Letter and Adultery. It has also been the theme of many movies. From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 5 October This article is about the act of adultery or extramarital sex. For other uses, see Adultery disambiguation. For a broad overview, see Religion and sexuality. Type of extramarital sex. Marriage and other equivalent or similar unions and status. Validity of marriages. Dissolution of marriages. Parenting coordinator U. Other issues. Private international law. Family and criminal code or criminal law. Child abuse Domestic violence Incest Child selling Parental child abduction.

Polygamy Polyandry Polygyny. Cicisbeo Concubinage Courtesan Mistress. Emotions and feelings. See also: Religion and sexuality. Further information: Adultery in Classical Athens. Main article: Thou shalt not commit adultery. Main article: Adultery laws. Further information: Paternity law and Legitimacy family law. Further information: Sexually transmitted disease. Main article: Honor killing. Main article: Crime of passion. Main article: Stoning. Main articles: Flogging and Judicial corporal punishment. Further information: Adultery in literature. Archived from the original on 25 December Retrieved 12 July Retrieved 18 May The Age. Archived from the original on 8 May Retrieved 7 May Says Inter Press Service". Archived from the original on 2 October Retrieved 28 September Archived from the original on 19 December Archived from the original on 9 January Retrieved 26 February Archived from the original on 27 January Do You Know the Facts?

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