Comparison Of I Have A Dream Speech And Harvey Milks Speech

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Comparison Of I Have A Dream Speech And Harvey Milks Speech



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The result is a commendable if not completely original piece of prosthetic creature work. A weird fantasy film that is a little too silly for adults and a little too horrific for kids, Troll is known for three things. Firstly, that the main character is called Harry Potter. Secondly, the inclusion of Rat-Burgers. And finally, for having possibly the worst film ever made as its sequel. Get the best of Den of Geek delivered right to your inbox! While the initial monsters are little more than super-fast slugs, when they start latching onto their human hosts, they start mutating.

And much to the discomfort of Michael Rooker, start turning into tentacle-based horrors which hark back to the very best oozing horrors and practical effects of the s. A great, silly B-movie throwback, Slither is a fantastic homage to video nasties, and director James Gunn plays the whole thing for fun — even when people are being bloated up to obscene proportions ready to explore with evil alien slugs. Another forgotten gem, this film came out when Eddie Murphy was still popular enough not to have to rely on a CG donkey to get a laugh. Based around the kidnap of a Tibetan child who possesses the power of light and goodness, the film has Murphy as a social worker who becomes wrapped up in supernatural battle between good and evil where he has to fight chain-wielding mutants and Charles Dance, who plays the demon.

While for the majority of the film Murphy continually mocks and belittles Dance, his motor-mouth antics finally cease when Numspa is revealed to actually be an impressive-looking winged demon. A great mix of model work, faced-paced editing and a car chase make for an unexpected climax in this forgotten classic. Stuck in a biohazard airtight container, Tar-man is a government experiment gone wrong, and sits there like the undead equivalent of a tin-of sardines until his container is cracked. Once again, this oily monster can chew his way through as many s nubile teens he can get his hands on.

Cleverer than your average zombie, and surprisingly fast for a dead thing, this slick dripping mess of a monster is one of the most impressive undead creations ever seen on screen. How do you give a foot metal statue personality? A charming, even jovial vampire, the king Mississippi revels in being a vampire, loving every minute of his blood-filled year old existence. Russell oozes charisma, but is so very dangerous for that fact, with the ability to swap from being the perfect dinner host to a savage, vicious killer in a split second. From what could have been another ponderous sci-fi movie from the 70s to rival Solaris and Silent Running, Saturn 3 instead goes the Alien route by having the placid homely world of Saturn 3 turned upside down by the arrival of the insane Harvey Keitel.

Whether Hector knew where all the calculators go is unknown, but this cybernetic bruiser would still give the Terminator a run for his money. While not as impressive visually as it could have been Barker once described the cinematic Rex as a nine-foot phallus with teeth , Rex is a pagan blood god who rampages through Ireland, killing off villagers and holiday makers, and is only really stopped by the limiting budget of this mids horror film. While the execution of the creature does not live up to its literary counterpart, this hulking beastie is still quite impressive, being as it is a huge slavering creation whose sole purpose is to destroy and possibly mate with things. Changing, expanding and updating the HP Lovecraft short story, director Stuart Gordon and producer Brian Yuzna lead the film into more adult themes of sex and stimulation rather than the quite dry mathematical and scientific theories put across in the original tale.

So with sex and slime being the focus, From Beyond is a sort of mix of Japanese tentacle porn and a low-budget David Cronenberg body horror movie with more prosthetics, goo and transformations that make The Thing look pretty mild in transformative comparison. Added to his toddler nibbling habits, the Bishop played by Ronald Lacey is a colossal pervert who would do anything to anything, whether animal vegetable or mineral. It is only by using a cunning plan, and conning Percy to perform numerous unspeakable acts with a drug-addled Bishop, that Blackadder manages to blackmail the monster into forgetting his debt.

But with more of a budget, the sequels saw this monstrous creation fully realised on the screen. Essentially a head with a deformed arm, hand and tentacles, Belial has a certain amount of control over his brother Duane, who he uses to set up his victims so he can extract revenge. While initially a dark horror film with a message, the sequels were a whole lot less serious, silly and over the top, taking things to extremes with earlys, latex-filled gore and splatter of Basket Case 3: The Progeny. While made on a micro budget by the great British studio Hammer, this gothic horror starring Peter Cushing makes up for its lack of finance by being a tense and tightly-produced film.

Not really deserving of its X rating, the teases and petrifying glances of its mystical Greek monster nevertheless lead up to a hideous reveal. The bringer of Nanageddon, Nanatoo is evil incarnate, using her powers over knitting, bingo and summoning other possessed grannies to bring about the end of the world. Even with the combined help of the board of Shamans, Saboo and Tony Harrison, Nanatoo nearly wins the day, wrapping up our heroes in some satanic scarves, before Naboo eventually saves them and gets the girls. Based on a short story by HP Lovecraft, this part fairy, part demon creature appeared in two films in the 80s and 90s.

Hidden away in a haunted house, the creature is released by Lovecraft creation Randolph Carter, who finds that the monster is Alyda Winthrop, the daughter of 18th century Lord Joshua, whose family is cursed for dabbling in black magic. While both films are straight-to-video affairs, the effects and make-up for Alyda are superb, and with the second movie dipping more into the fantasy elements, with the demonic Alyda ensnared by magic and wrapped up in the roots of a tree, these forgotten Lovecraft treats are well worth tracking down. The only Doug McClure production on the list, this mild monster movie from Hammer has our hero teaming up with Peter Cushing to explore a psychedelic jungle filled with, for the most part, lumbering men in unconvincing dinosaur suits, and buxom cave girls.

These carnivorous budgies have bat-like wings, snapping beaks and, most impressively, the ability to hypnotize people into becoming their lunch. While the movie was never going to break box-office records, this colourful Saturday afternoon affair is fun, entertaining and everything you can expect from McClure at his very best. And with the added bonus of the Mahars being pretty good monsters, this is one monster movie worth rediscovering. Not so much a monster as an angry oil slick, the incarnation of evil that was Armus was a futuristic muck monster you would not want to mess with. So why does a somewhat inarticulate blob of black goo make the list of top monsters?

Well, the reason is that Armus is such a total bad-ass, and for all his inability to move or pop down the shops, he can certainly dish out the pain and evil. While not the best Star Trek episode ever, Skin Of Evil is remembered for one thing: the fact that Armus quite calmly kills off security chief Tasha Yar, swatting her aside casually, and then spends the rest of the episode gloating about it. A bad attitude and the willingness to casually kill unlikeable Star Trek characters is reason enough. Once you get over the silliness of this and down to the actual creature design, the Creeper is a winged nightmare with a tendency to pick you apart. While not physically imposing, this android from the planet Guk is an insane scheming harridan who sends wave after wave of monsters to try to conquer the Earth.

With some superb twists, this all slowly comes to a climax with a fantastic showdown in a school swimming pool where the monster, in its aquatic element, taunts and teases our would-be Hobbit, but the quick-thinking Wood literally brings the house down on the slimy menace. There, they encounter this hideous creature, who will repair the damage inflicted on Big Red by Prince Nuada — but at a price. And while that price is never revealed, we are shown evidence that one day Hellboy will take a stand against humanity, and that with Liz saving him there and then, she may well have doomed everyone. The results are both hideous and beautiful. One of the nightmare creatures that inhabit the labyrinthine passageways of the mythical city of Midian, Peloquin Oliver Parker is part vampire, part wise-cracking Rastafarian.

Is the masked man a demon, an angel or a cyborg from the future? Created by the malevolent Dr Pea the fantastically evil David Warner from the body parts of his co-stars, the gigantic creature is eventually bought down by the cannibalistic butcher Hilary Briss. This fantastic monster was completely unexpected, and seeing a giant, three-headed monstrosity with the faces of Mark Gatiss, Reece Shearsmith and Steve Pemberton destroying the fictional town of Royston Vasey had some poetic justice to it.

It also proved that the three gentlemen know their genre, and have a love of giant monsters and mindless destruction. A fantastic mix of creature design and teen horror, the initial terrors that come out of the gate are impressively sturdy-looking lizard men. Admittedly, the inclusion of this film has a lot to do with Amanda Donahoe, but this mids gothic horror from the pen of Bram Stoker was bought to the screen gloriously by Ken Russell. A mix of erotic vampire fiction, ancient gods and 80s indulgence, this movie looks like a luxurious mix of Dynasty and Dennis Wheatley.

One of the best aspects is its surprisingly good effects, courtesy of ILM. And while the massive aquatic monster is probably much more well-known and iconic, Ymir is much more fun, and appeared on our screens nearly 25 years before the soggy titan destroyed its first Greek city. Slowly growing to human size, he eventually ends up the size of a dinosaur. While not as iconic or creepy as the original, Poltergeist II still has a lot going for it, and the addition of the ancient Indian burial ground aspect and Kane the preacher provide a little more depth to the overall mythology. We had already seen the Beast briefly as a massive flaming head in the original, but in this movie, we get a more visceral version of the creature, who initially appears as worm, is ingested and later vomited out by Steve.

A representation of the long deep winters in Scandinavian countries, the Groke freezes and kills everything it touches. In the Moomin books, the Groke is a nightmare creature told in story form to Moomintroll, Little My and Sniff as a way of getting them to stay in at nights or when it gets cold. But as with a lot of the Moomins stories and Northern European fairy tales in general for that matter , the Groke is a real threat that lurks in forests. While not technically one monster, the possessed creatures exposed to the Necronomicon Ex-Mortis all had the same look: one of boggle-eyes, twisted visages and wiggly fingers. They also, for the most part, want to eat souls and lay the smack down on Ash.

A great trashy creature feature, with some over-the-top performances from John Voight with the infamous sneer and a preposterous giant snake, this really is a B-movie done well. While there is a lot to be desired about the film, the main attraction is the anacondas themselves, which for the most part do look CG, but the sheer scale and menace the snakes provoke is pretty impressive, especially the overhead shots of people wading through the water as the outline of the snakes can be seen sneaking up on them. A Jaws rip-off with elements of Moby Dick, this is a fun movie despite its critical panning, and while its sequels are not that great more snakes, bigger snakes and repeat , the original movie is well worth seeing.

The derogatory name given to the asylum-seeking aliens in this superb sci-fi film, the Prawns are scavengers who live in the worst conditions possible, moving from imprisonment to the slums of South Africa. No, not the pink-haired pencil topping creations, but rather the lumbering giants from this low-budget Nordic fantasy. Troll Hunter, the sleeper hit from , took the whole shaky-cam genre to the next level, adding the concept that the fictional monsters the team were looking for were actually real. A super-strain of vampire, the Reapers are led by Jared Nomak played fantastically well by Luke Goss. Hard to kill, vicious and bloodthirsty, the Reapers make for visually fantastic monsters, due to the fact that half their face opens to reveal hoards of twisted spiky teeth, making it far easier and quicker for them to feed.

While sharing the same origins as his Japanese cousin Godzilla who came a year later this oversized dinosaur, designed by Ray Harryhausen, walked on all fours and lacked the added advantage of atomic breath. However, even without the ability to pick up and fling around railways and skyscrapers, this menace is one of the more impressive creations from the s B-movie obsession with atomic power and huge animals running riot. Why so far down the list, you ask? Well originally, Freddie was an unkillable dream demon come back to the grave to exact revenge on the friends and family of Elm Street.

Day-glo silliness, too much splatter and the over-use of fully lit scenes of prosthetics and rubber took away the enigma and initial fear of the character, and every overuse dropped him further down the list of classic monsters. Spoilt by the insistent use of CG to show the queen roach, the Mimic creatures themselves, shaded by large cloak-like wings, are a sublime design bought to life by enhanced full-body practical effects. Staying away in the muted green and brown shadows on dimly lit-subways, the idea that there are things lurking underfoot in the shadows are a continual fear for anyone using the underground for any period of time. This notion is taken to its extreme in both the original episode and its update in the Twilight Zone film section entitled Nightmare At 20, Feet, where both William Shatner and John Lithgow are tormented by something outside a passenger jet that could well be in their imagination.

Could they be slowly losing their mind on a long haul flight after suffering a previous breakdown? With no real need to show its monsters until the very end , their gigantic presence is felt throughout the film with evacuation signs, tilting boats, terrified locals and continual rolling 24 hour news footage. Ploughing through South America with glimpses of tentacles and the results of their devastation everywhere, this film shows you how the whole shaky cam genre should be done. Fun, clever, and giving you the big monster reveal in the end, this is a great micro-budget monster flick. The nemesis of John Crichton and the rest of the Farscape crew, the part-Sebacean, part-Scarran is the main villain of the series, brought to the screen by the sneering Wayne Pygram whose portrayal of the Wormhole obsessed Peacekeeper is introduced in the second series.

A television equivalent of Darth Vader, this duo-tone nightmare looks like Skeletor took a visit to the torture garden, but unlike his animated counterpart, actually seems competent in his evil planning. With the drive to do absolutely anything to achieve his goal, his drive and sheer force of will has seen him switch allegiances, stab people in the back and front and is happy to kill and torture people in his Aurora chair to get what he wants. Plus, he has no brain in his head, with the majority of his cranium taken up by a super-cooling device to keep his over-heating and fluctuating body temperature stable. Kudos to the guys who created the part-model, part-CG work done to achieve this unnerving effect.

This sea-dwelling monstrosity was the last work of famous stop motion animator Ray Harryhausen before his retirement. Purportedly the most physically powerful of the legendary Greek Titans, the Kraken was actually a giant squid of Norse myth. In the masterful hands of Harryhausen, it became a multi-armed amphibian giant who was partial to the odd virgin sacrifice or two the logistics of which are lost on me — see King Kong. While the remakes Kraken was a laughable affair of CG and over-design, this stop-motion version has so much more character thanks to its fishy features and usual Harryhausen twitches and ticks.

Starring the French actress Delphine Chaneac, this weird and wonderful tale of science gone mad has two scientists pushing the boundaries of genetic splicing and DNA work to create a visually stunning monster. While Dren starts as a freak of genetics and a bundle of animal and human hybrid cells, she slowly evolves and becomes a buck-legged creature who falls for her creator. The whole splicing DNA element is rather daft, but this weird sci-fi horror movie works well, and the Dren creature is a superb mix of acting, CG work and special effect make-up, especially when the wings and teeth start to show up.

A giant intelligent tadpole, this fantastic creation from Bong Joon-ho is a modern day take on the water monster myths and legends of Korea. A huge hit globally, thanks in part to the fantastic creature design, The Host is one of the biggest films ever to come out of Korea. From its initial broad daylight attack on the banks of the Han river where the creature goes berserk, throwing around cars and people alike, to the far more sinister, Alien-like subterranean drain sequences, the whole movie is a fantastic creature feature. In love with Andromeda, Calibos is the son of the water goddess Thetis and the arch rival of Perseus. Calibos is all strange posture and flicking tail, and always ready to use his forked hand to finish off any unsuspecting Greek guard on duty.

Again, why so far down the list? While iconic to British television audiences, the actual design of the armored Daleks is not that sinister — but when you add the metallic voice, determination and sheer obsession with extermination, then the ante of malevolence is upped no end. A little too highbrow, the monster fortunately adds a bit of creature-based spice to proceedings, especially when it was rumored that the iconic curvy head of the monster was based on the svelte curves of s actress, Mae West.

The ultimate fantasy based nihilist, The Nothing has the sinister, wolf-like Gmork stalk his prey through the land, taking with him his dreams of nothing, of the peace of nonexistence. A creature that is both scary for his outlook and his appearance, the relentless pursuit of his goal makes Gmork one of the most terrifying creations from the 80s fantasy era. Whether encased in blood red armour pillaging medieval villages, howling for lost loves and rejecting god and all things holy or being the ultimate sexual predator, each incarnation is a memorable monster in its own right. While Jason is best known for its jaw-dropping and fantastically choreographed grand finale with a skeleton army, Ray Harryhausen also bought us the multi-headed, fork-tailed serpentine Hydra — the guardian of the Golden Fleece.

How the animator managed to keep track of the movement of every head without losing his sanity is beyond me, but thanks to his artistry and infinite patience, we get to see one of the most impressive creatures ever to appear on film. Everyone remembers Labyrinth for the figure hugging tights and japery of David Bowie as the Goblin King. But the world created by Terry Jones and Brian Froud is a cornucopia of creatures from some very special imaginations. A big, loyal dog with the appearance of a dowdy minotaur, Ludo may well not be the strongest, fastest or aggressive monster on the list, the lovable creature is such a great piece of design and puppetry that it seemed a shame not to give him a mention.

Neil Marshall manages to hit all the right primal buttons in this subterranean horror. With the most effective horror movies being those where the environment is as much a threat as the monster chasing you see The Thing, Predator and Aliens this survival horror has the members of the team already trapped hundreds of feet underground with their own neuroses. Then pushing the terror up a notch by introducing the Crawlers is just fantastic. They can see in the dark, are ultra-fast and can use the environment to their own advantage. Our protagonists never have a chance, as these super-fast killers make short work of everyone.

Nerves and minds are shredded as fast as the flesh and bones of their victims…. He is the quintessential bloodsucker — the vampire all others aspire to be. With runes tattooed over his head and two constantly moving tentacles wrapped around his neck, the Wishmaster is a superb mix of latex and puppetry bought to life by the actor beneath it. On paper, this could be the best premise for a film of all time — cowboys versus dinosaurs. Henry See: Arbois de Jubainville, H. XV Spanish as Author Azul Obras Completas Vol. English as Author Darlington, W. Mary F. Part 2, Containing the Loves of the Plants.

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